Movie Review – Unfriended (2014)
2013’s The Den was a horror film that took a novel approach, being told entirely through web-feeds, computer and phone screens, and security cameras. 2014’s Unfriended, from director Levan Gabriadze and writer Nelson Greaves, embraces a similar scenario, taking place entirely on a teenage girl’s laptop screen as she uses social networking to talk with friends, all of whom become the target of a vengeful spirit haunting their computers. If that last sentence made you want to entirely avoid this film, I deeply sympathize. However, if you can overcome initial skepticism and endure shitty teenagers for around 80 minutes, Unfriended does certain story aspects incredibly well, making the film ultimately worth checking out.
Though The Den was first to adopt an exclusively technological approach in its storytelling, Unfriended actually succeeds in making the process more fluid and natural. It’s a film that understands and utilizes the technology to surprisingly effective degrees, and teen viewers especially are likely to have no problem following the busy laptop screen. Filmed in one house with each of the cast members located in different rooms, the actors acted out their roles in single long takes and were encouraged to improvise. The result is believable performances and some clever story elements and scenarios.
What Unfriended does best is address the devastating, unrelenting nature of cyberbullying while also showcasing how people will be cordial when speaking face-to-face but vindictive and malicious when communicating through a social media platform, often in the same moment. The laptop screen we follow is Blaire’s, performed convincingly by Shelley Hennig, and we learn about her character through her digital footprint and those times in which she begins to type something before thinking better of it and deleting it. It is these elements which are the strongest.
Unfriended isn’t as strong when it comes to the horror elements, and some of the scares come off as a bit too tame and unintentionally goofy, but they’re forgivable hiccups for a film that rises above its simple subject matter and treats its story with more thought and insight than is generally expected from a teen horror film.